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Frédérique Petrides : ウィキペディア英語版
Frédérique Petrides

| death_place = Manhattan, New York
| death_cause =
| body_discovered =
| resting_place =
| resting_place_coordinates =
| monuments =
| residence =
| nationality = Belgian-born American
| other_names =
| ethnicity =
| citizenship = United States
| education =
| alma_mater =
| occupation = Orchestral conductor, editor and publisher, violinist
| years_active = 54
| employer =
| organization = Orchestrette Classique, West Side Orchestral Concerts
| agent =
| known_for =
| notable_works = Editor and publisher of the Women in Music newsletter
| style =
| influences =
| influenced =
| spouse = Peter Petrides (1896-1978)
| partner =
| children = Avra Petrides, daughter (November 21, 1938-)〔New York City Birth and Death Records〕
| parents =
| awards = National Federation of Musicians, 1979 Merit Award
| signature =
| signature_alt =
| signature_size =
| website =
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}}
Frédérique Petrides (pronounced peh TREE dis), (September 26, 1903 – January 12, 1983), was a Belgian-American conductor and violinist. In 1933, she founded and conducted the Orchestrette Classique in New York. It consisted of women musicians and premiered works by then relatively untried American composers, such as Paul Creston, Samuel Barber and David Diamond, that are now widely played and celebrated.
She also edited and published the ground-breaking newsletter, ''Women in Music'', which highlighted the activities of professional women musicians throughout the ages.
In addition, she founded several concert series in Manhattan, including the West Side Orchestral Concerts, the Student Symphony Society of New York, and the Carl Schurz Park concerts.
==A pioneer and advocate==
In 1933, when Frédérique Petrides first presented her Orchestrette Classique, it was almost unheard of for a woman to be an orchestral conductor. And even at the close of her career, in 1977, not much had changed in that regard. Petrides was a pioneer, as one of the first woman conductors and "one-woman crusader" for the rights and advancement of women musicians in general, through her performances, articles and the dissemination, in the United States and internationally, of the ''Women in Music'' newsletters.〔LePage 1983 p. 203-204〕〔Groh 1991〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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